Data:
Luogo: Bologna
Tipo: Workshop
> 9.00-12.30 Foresteria San Giovanni in Monte, Conference Room
Session 1: Vehicles and Actors: Journals, Newspapers and their Editors
Chair: Paolo Scrivano, Xi’an Jiaotong-Liverpool University
Keynote lecture > Accademia delle Scienze, Sala di Ulisse, Palazzo Poggi
> 16.30-19.00 Foresteria San Giovanni in Monte, Conference Room
Session 2: Actors or Vehicles? Institutions, Exhibitions, Competitions
Chair: Anna Rosellini, Dipartimento delle Arti - DARvipem, Università di Bologna
Visit of the Exhibition organized by the Dottorato di Ricerca in Architettura, UniBo: La critica italiana e le culture del progetto (1945-1960). Strumenti, Temi, Attori
> 8.45-13.00 Università di Bologna, Biblioteca del Dipartimento di Architettura
Session 3: Vehicles: ‘Visual’ Criticism
Chair: Nathalie Boulouch, Université Rennes 2 – Archives de la critique d’art, Rennes
Session 4: Critical Competencies: Non-Canonical Architectural Critics and Criticism
Chair: Anne Hultzsch, The Bartlett School of Architecture, UCL London and OCCAS, Oslo University
> Sala Farnese, Palazzo d’Accursio, Piazza Maggiore 6, Bologna
After the first workshop at the Université Rennes 2 (January 2016), centered on the relationship of criticism to “public opinion” and on criticism as an autonomous discipline, Actors and Vehicles of Architectural Criticism (Università di Bologna, October 4-5, 2016) is the second of three international workshops planned by the Mapping.Crit.Arch: Architectural criticism 20th and 21st centuries, a cartography research project (funded by the French Agence Nationale de la Recherche, ANR) to foster scholarship on the history of architectural criticism and facilitate exchanges between scholars active in this field of research.
This second international workshop takes into consideration the actors and the vehicles of criticism: with these terms it refers to both the agents of criticism (critics, architects, historians, publishers, photographers, institutions, etc.) and the media through which criticism is disseminated (press, photography, exhibitions, etc.). The workshop aims to expand the knowledge about the specific functions of these actors and their networks and to outline their mutual relationships. The four sessions investigate the links between the actors, the media of criticism, and the historical contexts within which they materialize, as well as the cultural, intellectual, and institutional milieus from which they originate.
The first session Vehicles and Actors: Journals, Newspapers and their Editors deals with the influence on the forms, discourse, and contents of criticism on the part of specific types of journals, from daily newspapers, to cultural magazines and building construction periodicals and wants to put into question the categories that recurrently describe the so-called “typologies of criticism”. The second (Institutions, Exhibitions, Competitions) and fourth (Critical Competencies) sessions intend to broaden the notion of “actor” of architectural criticism not only to encompass critics or authors (the same notion of “authorship” in criticism might be subject to question) but also to include professional and academic institutions, publishers, and the various specialists who are involved in the actual production of professional publications. As a different vehicle of architectural criticism, the third session (Visual Criticism) would like to pay attention to the photographic image and, more generally, to the visual components of architectural criticism.
Tuesday, October 4th
Conference Room, Foresteria San Giovanni in Monte,
Via De’ Chiari 8, Bologna
Keynote Lecture
Accademia delle Scienze, Sala di Ulisse, palazzo Poggi,
via Zamboni 33, Bologna
Wednesday, October 5th
Università di Bologna, Biblioteca del Dipartimento di Architettura,
Viale del Risorgimento 2, Bologna
Thursday, October 6th
Roundtable Visioni Metropolitane Parigi Roma Bologna Sala Farnese, Palazzo d’Accursio, Piazza Maggiore 6, Bologna
Mapping.Crit.Arch: Architectural criticism XXth and XXIst centuries, a cartography.
Research Project, Université Rennes 2 - Agence Nationale de la Recherche
Scientific Coordinator Hélène Jannière
SCIENTIFIC COMMITTEE
Nathalie Boulouch (Université Rennes 2 and Archives de la critique d’art)
Anne Hultzsch (Bartlett School London and OCCAS, Oslo University)
Hélène Jannière (Université Rennes 2)
Giovanni Leoni (Università di Bologna)
Paolo Scrivano (Xi’an Jiaotong-Liverpool University)
Laurent Stalder (ETH Zurich),
Suzanne Stephens (Barnard College, Columbia University)
Alice Thomine-Berrada (Musée d’Orsay, Paris)
CONTACT
mappingcritarch@gmail.com
helene.janniere@univ-rennes2.fr
https://mac.hypotheses.org/
ORGANISING COMMITTEE
Université Rennes 2
EA 1279, Histoire et critique des arts
Alessandro Benetti
Nicolas Bisensang
Guillemette Chéneau-Deysine
Hélène Jannière
Università di Bologna
Dipartimento di Architettura
Dottorato di Ricerca in Architettura
Matteo Cassani-Simonetti
Giovanni Leoni
Anna Rosellini
EXHIBITION
La critica italiana e le culture del progetto (1945-1960). Strumenti, temi, attori
Pierpaolo Ascari, Andrea Borsari, Matteo Cassani Simonetti, Elena Formia,
Giovanni Leoni, Anna Rosellini, Matteo Sintini